Viktor Vijay contemporary Indian artist hosts on Modern contemporary art of India “If I had to choose between an erudite Aristotle and an unknown 'soulless' black slave I would choose the latter. .. "we are not what we appear but what appears from us." A new way to look at Indian and global art. Life is beautiful for we have a sense of beauty.
Thursday, March 12, 2009
Austrian Landscapes
Gustav Klimt known more for his art deocrativ portraiture also excelled in landscapes. He developed a small strokes technique that is regarded as more of telescopic focus on the landscape.
I saw one very beautiful sun bathed landscape in Gallery Etienne in New York. Attersee Lake in Austria had Klimt's Studio where he painted many beautiful landscapes in lovely summer and autumn light. Mr Ronald Lauder should be thanked for his love of fin de siecle Austrian art that he has created in beautiful building The Neu Galerie in New York. The Museum has a large body of erotic drawings from Egon Schiele. The most expensive painting by Klimt a portrait of Adele Bloch-Bauer that was for long in Belvedere Museum in Vienna reverted back to the family and was acquired by Lauder and is proudly housed in Neue Galerie.
Long time in Austria and Germany has etched a joy in the summer-autumn landscapes that I always relish. Klimt was one such votary. My autumn series incidentally was also born in Austria in Salzburg. Staying in the atelier of my friend Eva Mazzucco I worked a splash and dots technique did abstracts in 2003-2004.
Viktor Vijay
I saw one very beautiful sun bathed landscape in Gallery Etienne in New York. Attersee Lake in Austria had Klimt's Studio where he painted many beautiful landscapes in lovely summer and autumn light. Mr Ronald Lauder should be thanked for his love of fin de siecle Austrian art that he has created in beautiful building The Neu Galerie in New York. The Museum has a large body of erotic drawings from Egon Schiele. The most expensive painting by Klimt a portrait of Adele Bloch-Bauer that was for long in Belvedere Museum in Vienna reverted back to the family and was acquired by Lauder and is proudly housed in Neue Galerie.
Long time in Austria and Germany has etched a joy in the summer-autumn landscapes that I always relish. Klimt was one such votary. My autumn series incidentally was also born in Austria in Salzburg. Staying in the atelier of my friend Eva Mazzucco I worked a splash and dots technique did abstracts in 2003-2004.
Viktor Vijay
Monday, March 9, 2009
The series is inspired by Autmn sensibilities
Size:34"X42"
Acrylic on canvas
$4500 each
Status:available
FRAGRANCE OF AUTUMN
A very long time back I lived and painted on an old boat anchored on Danube near Black sea in Romania. It was autumn and the landscape was a passionate rust, crimson and yellow ochre. It was magical to say the least. I was in communion with the landscape. At other times I would breathe in the autumn landscapes of Europe in Finland, Tatra Mountains in Slovakia and Poland, Styria in Austria, Alpine Piedmonte in Italy, France, and Hungry.
The senses are seduced by the proliferating warm colours as the leaves turn from cool green to life red, rust, brick, yellow-ochre, brown colours. Something happens to soul, it starts to sing, is inundates by a dazzling warmth and pleasantness. Autumn used as a metaphor run to life as well as death. Poets often use the negative metaphor but for visual artists autumn is the great celebration of the festival of colours of joy. By a quirky association I relate the red beard of Vincent Van Gogh in his famous self portrait (1887) to the red of autumn.
But is not the autumn the surfeit of rejuvenation. Do we not talk of the birth death rebirth cycle? Is the Resurrection of Jesus not an emblem of continuity of life and hope? So why be afraid of death? Paul Laurence Dunbar looks at autumn as a celebration and reason of joy—
The earth is just so full of fun
A very long time back I lived and painted on an old boat anchored on Danube near Black sea in Romania. It was autumn and the landscape was a passionate rust, crimson and yellow ochre. It was magical to say the least. I was in communion with the landscape. At other times I would breathe in the autumn landscapes of Europe in Finland, Tatra Mountains in Slovakia and Poland, Styria in Austria, Alpine Piedmonte in Italy, France, and Hungry.
The senses are seduced by the proliferating warm colours as the leaves turn from cool green to life red, rust, brick, yellow-ochre, brown colours. Something happens to soul, it starts to sing, is inundates by a dazzling warmth and pleasantness. Autumn used as a metaphor run to life as well as death. Poets often use the negative metaphor but for visual artists autumn is the great celebration of the festival of colours of joy. By a quirky association I relate the red beard of Vincent Van Gogh in his famous self portrait (1887) to the red of autumn.
But is not the autumn the surfeit of rejuvenation. Do we not talk of the birth death rebirth cycle? Is the Resurrection of Jesus not an emblem of continuity of life and hope? So why be afraid of death? Paul Laurence Dunbar looks at autumn as a celebration and reason of joy—
The earth is just so full of fun
It really can't contain it;
And streams of mirth so freely run
The heavens seem to rain it.
Don't talk to me of solemn days
In autumn's time of splendor,
Because the sun shows fewer rays,
And these grow slant and slender.
Viktor Vijay
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